TRACE & ADDRESS

AI, literature, and the computational subject.

ESSAY   ──

Manufactured Availability

A visual essay on Indigenous presence supplied on demand by AI, and the consent, relationships, and accountability that availability leaves behind.

David Gaertner

VISUAL ESSAY · TEN PANELS

Download the original slide deck (PDF, 10 slides) · Sources and further reading

01 / 10

AI can generate a face, a voice, and a biography on demand.

Platforms can present that figure as Indigenous.

Generating the figure does not require obtaining consent.

02 / 10

In the Relational Futures project, Indigenous participants considered an “AI Elder.” Bronwyn Carlson and Tamika Worrell summarized their response in two questions:

“Who would that Elder speak for?”

“Who would it answer to?”

admscentre.org.au

03 / 10

These questions point to

Manufactured Availability

Indigenous presence supplied on demand by AI, without the consent, relationships, and accountability that would authorize it.

04 / 10

A staged biography becomes a claim to authority.

WE NEWS presents AI-generated correspondent Leah Qammaniq as Inuk, with a northern upbringing. Articles under her name repackage reporting from northern newsrooms.

The publisher supplies the biography. No journalist with that lived history is there to answer for the reporting.

nunatsiaq.com

05 / 10

A disclaimer can’t undo an Indigenous identity performed for viewers.

Bush Legend’s AI-generated host Jarren is presented as an Aboriginal man. His creator discloses AI and has him say he does not represent Aboriginal culture.

The presentation still invites that identification. Wuthathi, Yadhaigana and Meriam lawyer Terri Janke names the cost:

“It takes space from real First Nations voices.”

teaonews.co.nz

06 / 10

Chatbots put synthetic Indigenous Elders in anyone’s pocket.

On Character.AI, “Tribe chief Nanaki” appears as a healer. His profile names no nation. Suggested prompts invite questions about tradition.

The invitation is built into the product.

Fabricated Indigenous identity promises access without responsibilities.

character.ai

07 / 10

Manufactured availability doesn’t require an invented persona. It can make a real person’s identity available without her.

In February 2026, Wire Service Canada illustrated an article about Cree musician Donita Large with an AI-generated woman under her name, a ghostly figure in a beaded headpiece behind her.

Large named what AI repeats:

“Indigenous erasure is part of our history.”

Source: CityNews, 3 March 2026

08 / 10

Manufactured availability is premised on circulation outpacing refusal.

Indigenous journalists challenged WE NEWS’s fabricated correspondents.

Indigenous critics contested Bush Legend’s performance of Aboriginal identity.

Donita Large confronted the publisher that put a synthetic woman in her place.

The producers never ask. Indigenous people are left to object afterward.

09 / 10

Na-Cho Nyäk Dun makes its consent a condition of AI development.

Through Kwän Dék’án’ Do, the Nation is recording Elders as holograms and building AI tools for Northern Tutchone learners.

“I’m going to give my knowledge, and what are they going to do with it? Where is it going to go?”

FRANKLIN LEE PATTERSON
NA-CHO NYÄK DUN ELDER

Under the project’s stated terms, the Nation retains intellectual and copyright authority, and training data cannot be accessed or used without its consent.

kwandekando.ca  carleton.ca  cbc.ca

10 / 10

Manufactured Availability removes friction: the consent, relationships, and accountability that would slow the circulation of Indigenous identity as content.

The result is erasure by addition: invented Indigenous people occupying the places real ones should hold.

Na-Cho Nyäk Dun keeps the friction. Franklin Lee Patterson’s question becomes the Nation’s terms.

Friction is the point.

Sources

Panel 2. Bronwyn Carlson and Tamika Worrell, “‘No accountability, no checks and balances, no responsibility’: how Indigenous peoples think about AI,” The Conversation, 22 April 2026, republished by the ADM+S Centre. The two questions come from the authors’ account of participants’ responses to a speculative “AI Elder.”

Panel 4. Miriam Lafontaine, “‘The theft is blatant’: Nunavut AI ‘correspondent’ regurgitates northern stories,” Nunatsiaq News, 8 September 2026.

Panel 5. John Paul Janke, “No Mob, No Country: the social media account profiting with an AI Indigenous avatar,” NITV, republished by Te Ao Māori News, 16 January 2026. Includes Terri Janke’s response and the creator’s disclaimer.

Panel 6. “Tribe chief Nanaki,” Character.AI, by @Silverso. The profile, platform-generated About section, and suggested chat starters were checked on 21 October 2026.

Panel 7. “‘Indigenous erasure’: Edmonton Cree singer-songwriter calls out stereotypical AI image in news article about her music,” CityNews Edmonton, 3 March 2026. The report quotes Donita Large and describes the image; it does not reproduce it, at her request.

Panel 8. Indigenous Media Association of Canada and Indigenous Journalists Association, joint statement condemning fabricated Indigenous journalists, dated 29 September 2026. The responses to Bush Legend and Donita Large’s replacement are documented in the sources for panels 5 and 7.

Panels 9–10. Kwän Dék’án’ Do, “Our Work,” especially “Data Sovereignty”; Carleton University, “To Keep the Fire Burning,” 30 September 2025. Franklin Lee Patterson’s quotation appears in “Yukon First Nation uses holograms to preserve the knowledge of elders,” CBC News; the wording was checked against a reproduced copy of the report. The account of governance here follows the project’s published terms.

Continue reading

Manufactured Indigenous Belonging: What an AI Label Can’t Authorize follows the We-News case in detail, asking what happens when a publisher supplies the relationships that appear to qualify its reporters.

Available to Whom? develops the question of Indigenous authority over what knowledge becomes in AI systems.